26.04.2018 PWT 17-2018 Powerful Images of the Liberation of Paris

“The Liberation of Paris on Aug. 25, 1944, evokes powerful images: men and women firing at German tanks from behind barricades, girls in flowery dresses embracing arriving French and American soldiers, General de Gaulle proclaiming with no little chutzpah that Paris had liberated itself. How could Parisians not be celebrating? After 50 months of German occupation, their war was over…” (Alan Riding, France’s Troubled Liberation, International New York Times, 08/25/2014 ).

Aug. 26, 1944, de Gaulle was making his official entry into the capital…*
Few things had rankled more with the French leader that summer than the failure of Washing­ton and London to recognize his Provisional Government as the Government of France. His nightmare was of being caught between the Scylla of AMGOT (Allied Military Government of Occupied Territories) and the Charybdis of a Communist‐run commune. He was determined Paris’s liberation should be largely a French gesture under his leadership, and he intended to install himself in the city as soon as it was free, with or without his allies’ blessing.

Suite sur le pdf : PWT 17-2018 Liberation of Paris

16.04.2018 LE SOUPER (Monday 23 April 2018 Dinner Party)

Le Souper du lundi 23 avril :

Full Menu:

First Course:
Goat Cheese Gateau
Tomato Jam
Buttermilk Biscuit Crumbles Young Variegated Lettuces

Main Course:
Rack of Spring Lamb
Burnt Cipollini Soubise Carolina Gold Rice Jambalava

Dessert:
Nectarine Tart
Crème Fraîche Ice Cream

East view of mansion at Mount Vernon (Lincoln Financial Foundation Collection, Allen County Public Library, Fort Wayne, Indiana)

About the portraits:
Xue-Lan-Se (born 2004)
The Candidate, 2017
El Muro, 2017
Photo ceramic impressions on aluminium (Fotalux), 30×30 cm
Unbreakable, indestructible, convenient for all outside walls,
each one of an edition of 7 numbered signed copies. each 400 US $

12.04.2017 PWT 15-2018 LA MUSIQUE ADOUCIT LES MŒURS – CHARMS TO SOOTH A SAVAGE BREAST

Musick has Charms to sooth a savage Breast,
To soften Rocks, or bend a knotted Oak.
I’ve read, that things inanimate have mov’d,
And, as with living Souls, have been inform’d,
By Magick Numbers and persuasive Sound.
What then am I? Am I more senseless grown
Than Trees, or Flint? O force of constant Woe!
‘Tis not in Harmony to calm my Griefs.
Anselmo sleeps, and is at Peace; last Night
The silent Tomb receiv’d the good Old King;
He and his Sorrows now are safely lodg’d
Within its cold, but hospitable Bosom.
Why am not I at Peace?

William Congreve, The Mourning Bride, 1697

SYLVAIN, PHOTOGRAPHE DE TAHITI

In 1946, a young French war correspondent photographer …
seduced by his stopover in Tahiti, when he returned to France from Indochina, chose to settle in Punaauia. Adolphe Sylvain, a public works engineer by training, has just participated in the Libération de Paris as a tank driver in General Leclerc’s 2nd DB. He took the opportunity to fix some of the famous photos of the liberation with his Rolleiflex.

Continuer la lecture de « 12.04.2017 PWT 15-2018 LA MUSIQUE ADOUCIT LES MŒURS – CHARMS TO SOOTH A SAVAGE BREAST »

05.04.2018 PWT 14-2018 NEGRE’S NEGATIVES

“In photography, a negative is an image in which the lightest areas of the photographed subject appear darkest and the darkest areas appear lightest. This reversed order occurs because the extremely light-sensitive chemicals used to capture an image quickly enough for ordinary picture-taking are darkened, rather than bleached, by exposure to light and subsequent photographic processing.Negatives were once commonly made on a thin sheet of glass rather than a plastic film, and some of the earliest negatives were made on paper.

PWT 14-2018 Negre Negatives