10.08.2017 PWT 32-2017 The Rise and Decline of the Aristotype Process

 

The term aristotype derives from the Greek ἄριστος (aristos) « excellent, » and τύπος (typos), impression. So the best way to print a photographic image. The name ‘aristotype’ was used indifferently for both gelatin and collodion base photographic coated paper.

Between the era of albumen (1850s-1890s) and the era of silver prints (1920s-1998s), aristotypes were very popular, neighboring pictorialist sophisticated processes as well as Kodak cameras. It is considered a very easy process for amateurs, avoiding many manipulations:

“There are many advantages: a greater sensitivity, a consistent quality, ease of treatment (fixing-toning in one bath) a glossy surface, and good resolution. Their prepared coating made them the precursors of 20th century photographic papers…”

 

Intensively used during twenty years (1895-1914), they disappeared during WWI. One reason of the decline is that aristotypes are contact prints … Continuer la lecture de « 10.08.2017 PWT 32-2017 The Rise and Decline of the Aristotype Process »

27.07.2017 PWT 30-2017 About Soviet Armoured Trains (бронепо́езд)

Soviet Armoured Trains (1836–1900)

During the Russian Civil War, the Czechoslovak Legion used heavily armed and armoured trains to control large lengths of the Trans-Siberian Railway (and of Russia itself).

The Bolshevik forces in the Russian civil war used a wide range of armoured trains. Many were improvised by locals, others were constructed by naval engineers at the Putilov and Izhorskiy factories. As a result, the trains ranged from little more than sandbagged flatbeds to the heavily armed and armoured trains produced by the naval engineers. An attempt to standardise the design from October 1919 only had limited success. By the end of the war the Bolshevik forces had 103 armoured trains of all types.

 

 

PWT 30-2017 Armoured Trains and Machine Guns

20.07.2017 PWT 29-2017 Patterns Ferns Tattoos

PWT 29-2017 Patterns, Ferns, Tattoos

 

 

King Tawhiao  (Tūkāroto Matutaera Pōtatau Te Wherowhero Tāwhiao;c. 1822 – 26 August 1894) was leader of the Waikato tribes, the second Māori King and a religious visionary. He was a member of the Ngāti Mahuta iwi (tribe) of Waikato.

The Church of Jesus Christ of Latter-day Saints (LDS Church) was active in New Zealand from 1867. In the 1880s, a Wairarapa newspaper quoted Tāwhiao as claiming a belief in Mormonism: « I was some time ago converted to a belief in the Mormon faith, and I now altogether hold to it. My people in the North are believers also in Mormonism, and it is my wish that all the Maori should be of that faith.

Although the LDS Church has no record of Tāwhiao being baptized, other Māori joined the church based on a prophecy they claimed Tāwhiao made in the 1860s—that messengers of God would come from over the Sea of Kiwa (the Pacific Ocean), traveling in pairs and teaching the Māori people in their own language. When some who heard Tāwhiao’s prophecy observed pairs of Mormon missionaries from the United States teaching in Māori language, they immediately accepted Mormonism…

13.07.2017 PWT 28-2017 Bal Masqué chez le comte Waleski – Masquerade at Waleski’s

Der Teufel steckt im Detail


Le Charme Discret de la Dictature

“ … Toute l’armée a voté comme un seul homme pour Bonaparte.

Au Champ-de-Mars, on a transporté beaucoup de prisonniers et on les a fusillés par pelotons.
11 y a encore beaucoup de récalcitrants parmi les personnes dont les noms ont été publiés comme faisant partie de la commission consultative. — Mais ils ont beau protester — déclare Morny — nous avons besoin de leurs noms et nous en faisons usage. C’est indispensable pour les provinces, par conséquent ils resteront sur la liste, ils y figureront malgré eux.

Cependant les gens raisonnables et tout le Faubourg-Saint-Germain, qui ne l’a pas toujours été, comptent marcher avec le Pouvoir. J’ai dîné hier chez Lutteroth qui n’est pas non plus pour les personnes, mais qui est pour la chose, et il faut être fou ou conspirateur orléaniste pour être d’un autre avis.

Au reste, le Président est bien décidé à ne rien écouter et à marcher de l’avant…

 

Epilogue, mars 1871

“Un des derniers jours du mois de mars, nous étions cinq ou six attablés devant le café Riche, à regarder défiler les bataillons de la Commune. On ne se battait pas encore, mais on avait déjà assassiné rue des Rosiers, place Vendôme, à la préfecture de police. La farce tournait au tragique, et le boulevard ne riait plus.

Serrés autour du drapeau rouge, la musette de toile en sautoir, les communaux marchaient d’un pas résolu dans toute la largeur de la chaussée, et de voir ce peuple en armes, si loin des quartiers du travail, ces cartouchières serrées autour des blouses de laine, ces mains d’ouvriers crispées sur les crosses des fusils, on pensait aux ateliers vides, aux usines abandonnées…

Rien que ce défilé ressemblait à une menace. Nous le comprenions tous, et les mêmes pressentiments tristes, mal définis, nous serraient le cœur.

A ce moment, un grand cocodès indolent et bouffi, bien connu de Tortoni à la Madeleine, s’approcha de notre table. C’était un des plus tristes échantillons de l’élégant du dernier Empire, mais un élégant de seconde main qui n’a jamais fait que ramasser sur le boulevard toutes les originalités de la haute gandinerie, se décolletant comme Lutteroth, portant des peignoirs de femme comme Mouchy, des bracelets comme Narishkine, gardant pendant cinq ans sur sa cheminée une carte de Grammont-Caderousse ; avec cela maquillé comme un vieux cabot, le parler avachi du Directoire : — Pa’ole d’honneu’… Bonjou’ ma’ame », tout le crottin du Tattershall à ses bottes, et juste assez de littérature pour signer son nom sur les glaces du café Anglais, ce qui ne l’empêchait pas de se donner pour très fort en théologie et de promener d’un cabaret à l’autre cet air dédaigneux, fatigué, revenu de tout, qui était le suprême chic d’alors.”

(Alphonse Daudet, Souvenirs d’un homme de lettres, 1889)

PWT 28-2017 Le Diable se cache dans les details

06.07.2017 PWT 27-2017 LA BANDE A BONNOT or FRENCH POLICE EXPERIMENT BODY-WORN CAMERAS

Several reporters were present in Choisy-le-Roi, South of Paris on 28 April 1912 (more will be present a few days later for the final assault of the surviving members of the Bonnot gang).
The compositions in this series are different from the famous Agence Rol reportage, and seem more friendly with the police, indicating a Bertillon team photographer.

PWT 27-2017 La Bande a Bonnot pdf

The Bonnot Gang

Bonnot was born on October 14, 1876 in Doubs Department, France. As a teenager, Bonnot served time in prison on two occasions (the latter, for assaulting a police officer) and was compelled to leave his work at the factory after being accused of stealing copper shavings.
At the age of 21, Bonnot was conscripted for service in France’s infantry, where he served three years as a truck auto mechanic. An excellent rifleman, Bonnot left the army as a corporal first class.
In 1908, Bonnot began to associate with anarcho-individualists involved in counterfeiting. Along with several Italians, he began forging ten-franc pieces and carrying out minor thefts and burglaries. Eventually, using Bonnot’s automotive skill, they progressed to the theft of luxury-cars in France and Switzerland.
Continuer la lecture de « 06.07.2017 PWT 27-2017 LA BANDE A BONNOT or FRENCH POLICE EXPERIMENT BODY-WORN CAMERAS »

29.06.2017 Thursday 29 June. PWT 26-2017 Moscow in the Time of Alexandre Dumas & Theophile Gautier (For the pleasure of 2017 Kolomna symposium attendees)

As Theophile Gautier told, Moscow was then « a total surprise for visitors, painters or daguerrerian artists had produced scarce images ». Ferdinand Bureau deserves a special attention, his photographs are among the very first representations of Moscow, only a few years after Roger Fenton’s.

We still do not know if Ferdinand Bureau (1813-1893) is a relative of the French Bureau family of photographers: Stanislas Victor Bureau (1806-1888), Victor Stanislas Bureau (1833-unkn.), Palmyre Stanislas dit Léon Bureau (1838-unkn.), Jean-Albert Dumaine. A fashionable newspaper relates that Ferdinand angaged and married in Moscow Xaverine-Henriette-Octavie, daughter of colonel St-Sclair, of Scottish origin).

PWT 26-2017 Changing Places Moscow in the 1850s

 

19.06.2017 Lundi à 18 heures, Empanadas, cervezas y aguardiente, vernissage : exposition de dessins de presse et d’esquisses de Fernando Oramas

 

 

Empanadas, cervezas y aguardiente

Lundi 19 juin 2017 à 18.00

rencontre avec sa famille

80 rue Taitbout

75009 Paris

 

 

Fernando Oramas. Pintor, caricaturista y dibujante. Rebelde por naturaleza. Apasionado por los “caminos y las gentes del mundo”. Así es este artista bogotano (entrevista realizada en 2012 por Álvaro Delgado).

El pintor Fernando Oramas nació en 1925 en la carrera 3ª con calle 26, en un rincón de Bogotá vieja cercano a las ladrilleras que allí pululaban, al norte de las instalaciones de la cervecería Germania. Su padre, Carlos Oramas, fue un abogado a quien apenas recuerda, tuvo dos hermanas y tres hermanos y sus primeras impresiones de la lucha social corresponden a lo que escuchaba decir sobre la guerra civil española en el café Tropical, que con El Molino y otros se repartían con exclusividad una numerosa clientela política sectaria y desocupada, bien de izquierda, bien de derecha. Su madre manejaba una pequeña tienda de zapatos en la carrera 8ª, al lado de la Plaza de Bolívar, cuando ésta tenía fuentes luminosas y completaba su adorno con los primeros amigos de Fernando: emboladores y gamines. A la vuelta, al lado de la iglesia de Santa Clara (calle 9ª con carrera 8ª), estaba la Escuela de Bellas Artes.

–Yo iba para estudiar música y no me admitieron –señala Fernando–. Entonces cambié la música por la pintura. El rector era Miguel Díaz Vargas, profesor de la Facultad de Medicina de la Universidad Nacional. En la Escuela daba también cursos de anatomía y gracias a él desde el principio adquirí buenos conocimientos del cuerpo humano. Otros profesores eran Ignacio Gómez Jaramillo, Luis Alberto Acuña, el poeta Luis Vidales y el escritor Jorge Zalamea; estos dos nos enseñaban estética marxista. Corrían entonces los años 42 a 43 y en los cafés, adonde iba acompañando a mi hermano, se hablaba de comunismo. Mis santos ya eran Marx, Lenin y Stalin, y muy pronto estaba asistiendo a una célula del partido. Eso era algo estricto, como una nueva religión.

Continuer la lecture de « 19.06.2017 Lundi à 18 heures, Empanadas, cervezas y aguardiente, vernissage : exposition de dessins de presse et d’esquisses de Fernando Oramas »

15.06.2017 PWT 24-2017 The Book of Elie (Manuel Alvarez Bravo illustrating Elie Faure’s Réflexions sur l’Art Mexicain)

On July 9, 1931, Élie Faure embarked in Le Havre for an eight-month tour of the globe as part of a mission co-funded by the French Ministry of Public Instruction and the Mexican Ministry of Education.

This trip was an occasion for him to give lectures on art, but also to come into contact with the cultures of the many countries where the shipment stops: The United States, Mexico, Japan, Korea, China, Indochina and India, returning to France via Palestine and Egypt.

On the occasion of this expedition, Élie Faure sent weekly reports to Le Petit Parisien on his travels. Thirteen accounts were published for publication in the newspaper, published in full in 1932 under the title Mon Périple.

PWT 24-2017 Manuel Alvarez Bravo

16.06.2016 Vente Baldus Drouot salle 11

Catalogue Vente Baldus Copage en planches

Dès leur apparition en 1839, les images photographiques ont tout de suite séduit le monde de la presse. Impossible de les reproduire en même nombre d’exemplaires que le texte imprimé, elles doivent d’abord être redessinées puis gravées.

Les images photographiques restent alors en décalage par rapport aux événements qu’elles relatent à cause du délai important entre prises de vue et publications.

La photographie change de statut vers 1890, date de l’invention de la similigravure, qui permet à la presse illustrée son développement dans le monde entier. La société occidentale de la fin du XIXe siècle va connaître la première la consommation de masse des images fixes dans les journaux et magazines, animées dans les cinématographes.

Une étape importante vers 1860 a été le perfectionnement de l’héliogravure par Charles Nègre et Edouard Baldus (… suite page 4)

Continuer la lecture de « 16.06.2016 Vente Baldus Drouot salle 11 »

08.06.2017 PWT 23-2017: Young Nichols was sent to Dakota Territories to draw sketches « en plein air « 

 

Artists have long painted outdoors, but in the mid-19th century, working in natural light became particularly important to the Barbizon school, Hudson River School, and Impressionists.
The popularity of painting en plein air increased in the 1840s with the introduction of paints in tubes (like those for toothpaste).
Young Nichols was sent on trip to Dakota Territories by Century Magazine during Fall of 1886 to draw sketches en plein air of the Sioux tribes.

Harley DeWitt Nichols (1859-1939)

Born in the small rural Wisconsin town of Barton, Harley lived a peripatetic life. As a young child, he accompanied his family to Lincoln, Nebraska where he found great excitement in the roaming herds of buffalo and Native Americans. It was in these years that a talent for drawing was discovered.
In 1870, after several years of hardship, his father moved the family back to Wisconsin and at the age of 11 Harley became a water boy for the railroad line being built from Milwaukee to his birthplace of Barton.  When his family moved next to the First Ward in Milwaukee, he remained with his grandparents in Barton paying board despite his meager earnings.
Eventually he moved to join his family and began school at the First Ward schoolhouse. At this time he was employed by a “third class” wood engraver. That led to an apprenticeship with the Milwaukee firm Marr & Richards, where he worked for three years drawing on wood. This would have led to a position as an engraver, but during his apprenticeship Nichols realized that drawing, rather than engraving, was where his true talent lay…

 

PWT 23-2017 Dakota Sketchbook

01.06.2017 PWT 22-2017… WITH SUCH A GRAY SKY THAT A CLOUD HUNG ITSELF (AVEC UN CIEL SI GRIS QU’UN NUAGE S’EST PENDU …)

Mirjam and Willi were two young Swiss students from Basel Neighborhood who traveled Europe just after the end of the war, studying architecture, listening to Le Corbusier in Paris and participating to the Reconstruction Era. After the tragic death of Willi Menzi, circa 1954, Mirjam Schwarz interupted her drawing diaries. She married later architect Gorges Kinzel (1916-2000), the generous and altruist couple gave most of their collections and assets to Basel Kunstmuseum.

PWT 22-2017 Gray on Gray. Un Nuage s’est pendu

Continuer la lecture de « 01.06.2017 PWT 22-2017… WITH SUCH A GRAY SKY THAT A CLOUD HUNG ITSELF (AVEC UN CIEL SI GRIS QU’UN NUAGE S’EST PENDU …) »

25.05.2017 PWT 21-2017 CHANGING PLACES: SAN FRANCISCO 1877

1876, Three Mexican candidates run for presidency in the elections without gaining majority. In the turmoil which succeeds, Porfirio Diaz takes the power, and the two unfortunate competitors, Lerdo de Tejada and José María Iglesias, sail in exile to the United States

After a few weeks in power in November 1876, José Maria Iglesias went to San Francisco in January 1877with a group of Mexican Politicians who where members of his “shadow” cabinet, including Guillermo Prieto who published a relation of the USA trip. Thanks to this lively travel book, no less than 1500 pages of anecdots on hotel, food, women, theaters, we have an evocation of the United States in the very first years of the Cantral Pacific railroad making easy to travel from San Francisco to Cincinnati, New Orleans, New York, Philadelphy, Baltimore, Washington and San Antonio.

PWT 21-2017 San Francisco 1877

07.06.2017 Vente de Photographies Oger-Blanchet 20 rue Drouot

Vous allez trouver dans ce catalogue des photographies fort variés ; elles ont en commun d’être des petites images comme aime le rappeler Maître Blanchet, c’est-à-dire plutôt que des grandes œuvres numérotées, signées par des artistes célèbres, il s’agit d’épreuves peut-être plus modestes, de dimensions plus réduites, mais qui ont fait partie de toute cette histoire visuelle récente typique de notre époque, et qui intéressent de plus en plus de collectionneurs.

On trouvera aussi bien quelques photographies anciennes et pictorialistes de l’époque où les photographes pensaient qu’ils allaient avoir le monopole des expressions artistiques, que des recherches abstraites, des photogrammes, de belles photographies nocturnes, des études de nus, des reportages de gens célèbres, quinze portraits de Serge Gainsbourg, autant d’images de mode, des compositions surréalistes du studio Lorelle, des photographies venues d’autres régions et d’autres cultures, américaines bien sur, mais aussi russes, chinoises, italiennes, vietnamiennes, japonaises. Et la vente se terminera avec quelques photographies amusantes ou représentatives des dernières frontières de notre vision, c’est-à-dire du cosmos.

 

Catalogue complet pdf à télécharger

 

Accès direct au site Oger-Blanchet et Drouot-live

 

Remarque: 20 rue Drouot est une petite salle de vente indépendante

 

Catalogue photographies Oger-Blanchet 0617 en pdf

18.05.2017 PWT 20-2017 Gray on Gray … Reappearance of an Artist

Who can be this Missing Post-Impressionist and Pointillist French Painter ? ii
Weekly Cartoon by Théophile: Ghost of Louis Hayet iii
A Clue in Two Letters from Theo to Vincent Van Gogh 1-2
Is it “the dream of any art lover, like a gold seeker facing an unknown mine” ? 3-9
Epilogue, 1894: “Arrestation de l’Anarchiste du Ministère“ Félix Fénéon (French text) 10-13
Epilogue, 1918: White on White or Thirty years later, Kazimir Malevich 14-15

 

Who can be this post-impressionist and pointillist French painter, born in 1864 in a poor French family, who happened to meet the Pissarros, father and son when painting along a river?
Who grew up and developed his theory in the rising shadow of the Eiffel Tower?
Who could have been so upset by the quarrels of Bernard and Signac that he decided, after the disappearance of Seurat and the exile of Gauguin in the Pacific, to leave all the vanguards?
Who has had his best friend and art critic in prison for anarchism?

PWT 20-2017 Grey on Grey

11.05.2017 PWT N°19-2017 ROYAL AUDACE: BERTRAM PARK AND ANACREONTIC PHOTOGRAPHY

Bertram Charles Percival Park (1883-1972)

Bertram Park was a portrait photographer whose work included British and European royalty. His photographs were widely used on British postage stamps, currency, and other official documents in the 1930s, and the source for two paintings by Walter Sickert. For example, Park provided the photograph of George VI on which the 4d Southern Rhodesian stamp was based.
In 1910, Bertram Park was one of the founders of the London Salon of Photography. In 1916, Park married the photographer Yvonne Gregory (1889-1970) at Hampstead and she became one of his principal models. They produced together a number of photographic books of the female nude.

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PWT 19-2017 Royal Audace

Music ? Please click on link :

https://www.youtube.com/watch?v=MOuqOG46KTk

 (Gabriel Fauré: La Rose - Massimo Crispi, tenor & Antonio Ballista, piano)

04.05.2017 PWT 18-2017 Suspect, Suspicion of Counterfeiting: The Baldus Case

 

Edouard Baldus is known as a major photographer of the 19th century, one of the Famous Five who participated in the 1851 Mission héliographique in France. In 1994, Malcolm Daniel edited an impressive Baldus catalogue and biography, and Edouard became one of the very first photographers to have a scientific monography dedicated to his complete works.
Malcolm Daniel received a very curious message ten years later as he told in an article published in the blog of the Metropolitan Museum, New York :

PWT 18-2017 Baldus

25.06.2017 PHOTO WEEK IN Kolomna, RUSSIA: A DIFFERENT PROGRAM for JUNE 2017

PWT 17-2017 Kolomna

Useful informations, inquiries and contacts

Kolomna, Museum of the Russian Photo,
Irina Alikina, Director MRF, Curator Exhibitions, Daguerrian Workshop, +7 985 762-22-33
irina@museumart.ru

General travel organisation and logistic:
Serge Plantureux, 80 rue Taitbout, +33650856074
serge@plantureux.fr

Coordinated plane tickets from Paris or London, and visas:
Maria Calvez, Privileges Voyages, +331 47 20 82 10
mcalvez@privileges-voyages.com

Moscow (visits and accomodations)
Alexandre Rodionov, +7 (916) 344-12-18
a.rodionov@hotmail.com

Saint-Petersbourg (Art of Foto Gallery)
Anton Ivanov, +7 (921) 411-33-14
anton@artoffoto.com

PWT 17-2017 Kolomna